That’s when Korine’s subtle condemnation of 21st-century youth culture begins to infect such vicarious, hip-hop video thrills as strip clubs, sex in the pool, and brandishing guns in convertibles. And, in a sense, it’s to Korine’s credit that what happens next is even darker than you’d expect. It’s painful watching these girls - two of them former Disney stars! - pile into his car. Elizabeth Gilbert found herself by eating, praying, and loving these girls hop a bus to the beach, hoping to drink, snort, and fuck their way to knowing who they really are.Įach does, in turn, realize something about herself, but not until after they’re all thrown in jail and have to be bailed out by a rapper/drug dealer who calls himself Alien (James Franco, in what may be the only performance he’s actually shown up for since 127 Hours). All four are inexplicably bored with campus life, and they see spring break - a phenomenon they’ve apparently spent their entire lives fantasizing about, thanks to MTV and pop music - as their one and only opportunity for self-actualization. The movie’s slight story entails three college girls (Ashley Benson, Vanessa Hudgens, and the director’s wife, Rachel Korine) who hold up a restaurant to pay for the Florida trip of their dreams - and take their wholesome, religious childhood friend, Faith (Selena Gomez), along for the road-trip. Though it’s just as stuffed with sex, drugs, and firearms as the trailers promise, Spring Breakers doesn’t offer too much in the way of fun.
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And that is what we all expected out of his new film, sold as a nihilistic, neon-hued celebration of bad-ass teen girls wearing bikinis and wielding machine guns. He is the filmmaker who shows us 13-year-old girls ceding their virginity to HIV-positive 16-year-old boys, and dreams up the most horrifying of elderly subcultures. Harmony Korine is known as a provocateur.